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Lisa Johnson - "what, why, how"

1/8/2021

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Lisa Johnson
"Considerations 2020", "Thinking 2020"
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Lisa Johnson’s creative journey over the past year has faced many ups and downs and challenges due to the pandemic. It was a feeling of newfound freedom for Johnson that emboldened her to paint solely for herself, but with an added sense of isolation that left her with what she describes as somber introspection. 

​On this introspection, Johnson writes “With all the uncertainty of this past year --not just with the pandemic but with the political chaos in general and the worries for the future, I often find myself questioning my purpose. What to paint? How to paint? Why to paint? Certainly I've been more aware of my own mortality.”
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Johnson’s newest work found inspiration from memories of driving trips that she took over this past year exploring new places throughout Ontario. Traveling from the shores of Lake Superior to as far as Wawa, Johnson took her studio on the road, sketching and painting along the way. Her work in abstract landscape represents an element of escapism and a deep appreciation for Canadian scenery.
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Bigger Spaces 2020

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Lisa Johnson is a painter based in Toronto, Ontario. She graduated with honours from the Ontario College of Art, where she was awarded the Mrs. W.O. Forsythe Award for 4th year women painters in 1996. Johnson’s intensely gestural paintings are inspired by on-site studies, with an emphasis on space and movement to represent the passage of time of an evolving landscape.
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Geoff Farnsworth - Public Art Reflections

1/7/2021

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Geoff Farnsworth
PUBLIC ART REFLECTIONS
"Green Museum", "Girl and Dog in Lucid Shadbolt Dream"
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Geoff Farnsworth’s 2020 experience has involved adjusting to a new way of life in many different ways, and this has been a driving force in the paintings he has created over the past year.

At the beginning of the COVID-19 pandemic, Farnsworth began creating art from home after leaving his shared studio space in downtown St. Catherines, first turning his attention to the impact of the pandemic on public art spaces. As galleries and museums continue to tackle with closures and other obstacles due to the pandemic, the ways in which we show and observe art has confronted several challenges. Farnsworth began his exploration of the loss of these viewing experiences through paintings of figures within public art spaces. In Farnsworth's words, 
“As covid continued and I kept on with this theme, it took on more of a fantasy element with not being able to actually be in public art spaces any longer. And with being more isolated from people. I felt more of a longing for these spaces, and reminiscent.” 

​As he spent more time at home, Farnsworth began working on portraits of friends, authors and directors that he had been spending time with over quarantine, as well as of George Floyd in the midst of the BLM protests. For Farnsworth, these works represent 
“a way for me to connect with people and people's energy over this time of separation”. Currently Fansworth focus has turned towards incorporating more surreal and fantastical elements in his paintings that reflect on nature, inspired by the many walks he has taken during the pandemic.

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Geoff Farnsworth is an artist based in St. Catherines, Ontario. After obtaining a Bachelors of Commerce degree at UBC in 1990, he changed his direction and pursued Graphic Design and Illustration at Capilano College. It was here that he rediscovered his love for drawing and painting and from 1997-2002 he went on to study at the Art Students League in New York. His work has been shown in New York City, Washington DC, Minneapolis, Toronto, Winnipeg, Calgary, the Niagara region, Thunder Bay, Vancouver, Sweden, Norway, and Trinidad.
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January 07th, 2021

1/7/2021

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Paul Lambert
“Isolation”, "STOP KILLING US, Black Lives Matter Demonstration, London, ON", “God givin freedoms, Freedom March, Aylmer, ON”, “DANGER DUE TO AMERICA”

For photographer Paul Lambert, the circumstances of the past year has proved challenging for his creative output, perhaps in hindrance to the turmoil of 2020. Inspired by the social commentary behind the subjects of his photographs, Lambert turned his focus towards the dialogue of chaos, protest and isolation intertwined within the events of this past year. ​
As quarantine hit, Lambert captured “Isolation” after he had vowed to take a walk every day with his camera in an effort to document the essence of our “new normal” through his lens. Some days more successful then others, his images present a point of view of the feeling of isolation in the early days of the pandemic.
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Paul Lambert . Isolation
“STOP KILLING US” is a powerful photo from the Black Lives Matter London ON protest on June 6th 2020, which drew and estimated 10,000 supporters in support of racial justice. This protest is part of widespread civil unrest throughout North America.

Standing in jarring contrast, the piece 
“God givin freedoms” presents members of the Church of God participating in unsanctioned anti-mask protests in Aylmer, ON. Aylmer Mayor, Mary French, had received threats after declaring a state of emergency over fears that a so-called Freedom March by those opposing COVID-19 safety measures could attract counter demonstrations. 
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STOP KILLING US
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God givin freedoms
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DANGER due to America
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Paul Lambert is an artist from London, Ontario who uses photography in order to represent his feelings towards people, places, and experiences. Inspired by texture, geometry, and light, Lambert captures unique compositions of seemingly ordinary subjects in order for the viewer to see them in a new way.
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Jill Price - embodiments

1/7/2021

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Jill Price
EMBODIMENTS
“The Speechmaker”, “The Princess”
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Jill Price’s EMBODIMENTS are an ongoing body of mixed media collages that visually explore the material connections between humans, non-humans and their surroundings. Started during the first few months of COVID, they are a continuation of Price’s explorations into unmaking as a creative method. Each work is composed of earlier drawings, prints and text that often work to map past personal experiences and emotions in an abstract way. Compartmentalized, severed, layered, contrasting, and at times intersecting, each figure points to the complexity of our day to day existence and the archetypes that may inform or determine the way we move through space or inhabit place. 

Often a visual response to the political, social, economic and racial issues being broadcasted daily over the radio, social media and television, each figure emerged intuitively as a way to offer Price company, comfort and hope while isolated from family and friends.
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Jill Price is a multidisciplinary Canadian artist, curator, and art instructor researching New Materialism. Price received her BFA from Western University, and would then go on to earn her MFA in Interdisciplinary Art and Design at OCAD. Working across a plethora of mediums, Price’s work intersects drawing and sculpture, employing elements of nature and memory tied to her childhood spent outdoors in Pickering, ON. Price’s work is both narrative and abstract and serves as an indexical and expressive way for her to map her surroundings, their materiality and the constant state of change in which we attempt to coexist.  
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Catherine Morrisey and Patience Morrisey

10/6/2020

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Patience Morrisey
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Catherine Morrisey
​Art making has always been a family affair for Patience and her daughters, Robin and Catherine. Together they have shared many conversations about nature and plant life. 
This sense of harmony with nature is found in Patience’s wood and linocut prints and in Catherine’s paintings. A connectivity rooted in their individual practices bridges generations and mediums.

With texture, mark-making, and colour each artist captures the controlled chaos of nature and landscape in their own distinctive way. Paintings and prints in this exhibition depict rushing rivers, dense brush, and branches swinging in the wind.
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By Patience Morrisey
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By Catherine Morrisey
Patience is a multidisciplinary artist born in Patience, Alberta, and throughout her childhood moved between England and Woodbridge, Ontario. Inspired by the apple orchards of Ontario, apple trees became a symbol of freedom and comfort for Patience and are a recurring motif in her work. Patience studied fashion illustration and commercial art OCAD in Toronto, and it was during this time that she was taught drawing by Franklin Carmichael of the Group of Seven from whom she learned to dive deeper into scale and storytelling in her art. It was through her upbringing and education that Patience developed her practice to capture narratives about her life, family and the scenes that encapsulated them. Patience has a love of paper leading her to work in print and paper-mache sculpture. Throughout her career Patience kept an active ceramics and printmaking studio in her home.
 
Later in her career, Patience would spread her snowbird wings and began to spend winters in Florida, where much of her imagery became inspired by the flora, fauna, and the people that surrounded her. The cottage that Patience purchased with her husband would place them in an art making community offering art classes and fairs with close proximity to Beer Can Island, which would become a great place of significance for her. In her prints, she observes the prisoners that would come to clean up the Island. Other works include scenes of sand beaches, crashing waves, and tropical trees.
 
Patience’s daughter Catherine had her start in abstract art, earning her BFA from York University during the period of abstract expressionism. It was by returning to memories of her childhood such as summers spent in Tobermory surrounded by woods and water that she would allow herself to explore landscapes in her own practice. Much like her mother, Catherine’s work explores finding meaning through the storytelling of parts of her life, and the nature that surrounds those experiences. She is currently based in London, Ontario.
 
Patience and Catherine’s exhibition opens on October 13th at Westland Gallery, featuring Catherine’s oil paintings of areas surrounding the Thames River accompanied by linocuts by Patience.
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By Patience Morrisey
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By Catherine Morrisey
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Carol finkbeiner thomas, altered traveller

9/18/2020

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For her first solo exhibition, London artist Carol Finkbeiner Thomas was inspired by Covid-19 experiences to put a new spin on a favourite series. The exhibition, being held opens on Tuesday September 22nd and continues until October 10th with a reception on Saturday September 26th from 1 – 4 pm.
 
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Carol works in a few different series, one of which is called Traveller. The paintings in this series are not necessarily distinct places, rather they are inspired by Carol’s memories of places she’s visited.
 
During the lockdown Carol was compelled to paint over one of her traveler paintings in a more intentional way. She wanted to create something new while still retaining elements of the original painting. While she worked, Carol reflected on this time of involuntary change for all of us and the fact that while certain things are changing, other things remain immovable.
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So many of us have had to put our travel plans on hold this year, and Carol’s paintings seem to propose the idea of travelling in your mind instead and exploring through imagination places fondly recalled, and those yet to be seen. From these ideas came the exhibition title, ‘Altered Traveller’.
 
A loose, freehand drawing provides the basis for each work, built up with oils applied by brush, palette knife or by other non-traditional methods and materials. Smaller scale colour studies, also seen in the exhibition, provide a starting point for the larger studio works. These expressive, abstracted landscape paintings communicate a sense of space and atmosphere as if you are walking over the land towards a distant horizon.
 
On display alongside these painting are Finkbeiner-Thomas’ black and white ceramic vases, decorated with a sgraffito technique.

Carol was born in London, Ontario and raised north of Toronto. She returned to London in the early 1990’s after receiving her Honours Bachelor’s Degree of Fine Arts at York University.

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Realism & Drawing Exhibition 2020

6/30/2020

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​After Covid-19 related closures, we are returning to our 2020 exhibition schedule!

“Realism and Drawing” will be on display, in-person and online, from June 30th – July 18th 2020. 
 
Art is a way of communicating and these artists have chosen the genre of realism as their language. They convey ideas about beauty, emotion, resistance, history and connection between artist and audience. The collection includes paintings, sculptures and drawings, and highlights the importance of drawing, as study and finished work, within an artistic practice.
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Landscape painter Denise Antaya was a finalist on “Landscape Artist of the Year Canada,” which premiered in early this year and is set to air again in the fall on CBC. The competition of artists from across the nation had contestants creating a finished work, on location, in 4 short hours. Realism painting is often very time-intensive, giving an added challenge to Denise during the competition!
Kristy Blackwell studied fine art at the University of Guelph. In 2007, after a career as a digital matte painter and compositor on over 60 feature films, Kristy returned to her passion of fine art and was inspired to experiment with various traditional techniques and materials. Blackwell blends realism with minimalism to create compelling compositions that reflect on the female experience. She uses elements of realism as an entry point for the viewer to creating a sense of familiarity among the patterns, lines and abstract elements.
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Artist’s Sandra Murphy and Nancy Calder studied, alongside Denise Antaya, at the Academy of Realist Art in Toronto. Both artists have focused on still life compositions that incorporate vintage items. There are beautiful narratives tucked into each of Murphy and Calder’s still life paintings. Vintage scales and colourful farm-fresh eggs in Calder’s paintings are nostalgic and comforting. In one of Murphy’s paintings we see a doll given to the artist at age 6.
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John Krygsman’s work creates an interesting dialogue between drawing and sculpture. The viewer can recognize the artist’s style in both mediums. Krygsman’s artistic outlook has been strongly impacted by the Covid 19 pandemic.
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Pieces in the exhibition titled Separate and Separated are reflections of this time. The graphite and fiberglass sculpture was created previously but took on new meaning with social distancing that prevents us from embracing our loved ones. The accompanying drawing recalls a joyful family outing but with all figures distanced.

Brent Schreiber continues his Listen series, reflecting on the barrage of information in modern life. Schreiber works in graphite, charcoal or acrylic to render portraits of men and women wearing large headphones. Brent has been working on this series for over 5 years, but these recent paintings bring in a new approach of blending realism in the faces of the sitter and abstraction and looser brushwork elsewhere on the panel.
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Pat Gibson's home series

6/16/2020

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"I started this small series in late 2019 as an experiment in mounting semi-transparent Mylar layers on board. The house shape which is placed under the top layer suggests to me a safe place to live, grow, love and create.

The work soon took on a life of its own reflecting the current stories of historic floods, fires and masses of people seeking asylum. Perhaps the piece Neighbours at Night foretold of the isolation we would experience in 2020."

- Pat Gibson, on her recent series "HOME".
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Outside being, a new series by erica dornbusch

6/5/2020

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Erica Dornbusch's latest series is titled, "Outside Being."
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Light always issues an invitation to ponder something, and sometimes the answers are found inside by simply being outside. A solo show by London artist Erica Dornbusch examining recent stories of light encountered.

Erica Dornbusch is a London, Ontario, self-taught artist working primarily with acrylics. Erica's subject matter includes figurative, landscapes, florals and abstracts. 

"Being visually impaired since birth means I have become well versed in secondary methods of observation. My senses have always felt inextricably intertwined. I strive to share the hum of the universe I hear when I'm outside." 
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Interview with Donna Andreychuk on her spring collection

5/5/2020

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Westland Gallery

156 Wortley Rd.
London ON
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