“effects of excess crying on the landscape is a series that explores imagined and emotive landscapes in dialogue with the existent political landscape. The gesture and lushness of the paintings correlate with a measure in time-- one can follow the drip of paint as held within its fall-- in this manner the paintings become bodily and enterable. The physicality of the paintings invites a concentrated meditation on the action inherent in the pieces, my time and emotion in the making--in the moment.
The series, effects of excess crying on the landscape, explores my unreal memories of land akin to the untouched and pristine; there is something mournful about an idyllic landscape in a modern context. Yet there remains within me an indoctrinated subconscious imbued with a history of landscape and the wilderness despite our current crisis.
The landscape is a universal subject-- of self, land and sky-- everyone has engaged in the horizon--an unattainable lived metaphor. The paintings are gestural poems; weeping landscapes. effects of excess crying on the landscape are landscapes of the soul. “
Angie Quick lives and works in London Ontario. She had a 2016 solo exhibition at Good Sport gallery and has participated in group exhibitions in London, Hamilton and Toronto. She has obtained several grants from the London Arts Council and Ontario Arts Council.
The latest vehicle for unleashing my creativity is pixels on cathode, be it 3d modeling, rendering, animation, packaging design or advertising work. Visual conveyance of thought and message continues for me to be a sacred dictum of sorts. It remains more than just a calling but rather ranks somewhere between pleasure and obsession.
Along the way, I’ve picked up a camera and been able to pursue another of my passions in photographing sporting events. Whether it’s the deliberate rhythms of baseball, the swift back-n-forth of hockey, the warp-speed contact of football or other trials of physical competition, I’ve always found sport to be the most riveting of reality shows and having the chance to cover it up close and tell its story through pictures has proven to be an exciting venture. It’s always a good feeling when you’re rewarded with the money shot after hours of being dogged and laying in the weeds, so to speak, and the moment happens just like you planned it.”
Tom captured the widely published and shared image of Bautista's bat flip in 2015. Read this interview with Tom about that experience!
The London Free Press covered Carlos Delgado's current solo show at Westland Gallery!
Follow this link to read the article online.
In 1974 Sookrah immigrated to Canada and attended multidisciplinary continuing education programs at the Ontario College of Art (OCA), George Brown College and Ryerson University. His beginnings in design and illustration opened a life of parallel passions. While continuing to paint and carve out his artistic existence, Sookrah involved himself in advertising and opened Engine Room Creative, a successful design development studio and advertising & marketing agency in Toronto. As the Creative Director of Engine Room, he has worked on provincial and national campaigns, as well as international campaigns in the US and UK.
His body of work includes portraiture, figurative, landscape paintings and ceramic sculpture.
An active member of the Arts & Letters Club of Toronto for twenty-four years, Sookrah
served many terms on the Club’s Art Committee and was the convener of its 3rd Floor Sunday Figurative Painting Sessions for nine years. Over the years his work was included in various juried group exhibitions at the Club.
Using an impasto, painterly technique in oil and bold use of colour I create moments of joy. Small points in time draw me in as my subject matter. Fleeting moments that are simple, meaningful and accessible are relevant in my work. My paintings are an impression of light and form and a thought of a happy memory that is to be stopped in time.
Using classical oils and painting on my grandmothers 1940’s easel, I work instantaneously across my canvas, creating layers of colour that overlap as the image emerges as an organic abstraction of a my inspiration. As each piece emerges, a chapter in the novel of the story I am telling is created. As in life, our story is played out each day without knowing the future. My work celebrates living in the moment.
They were released two years later and were part of a long refugee line made up of women and children and the elderly to walk through Iran, Pakistan and India, where they then took a ship to Africa to live in a Polish refugee camp run by the British in Uganda.
My mother spent her early teen years there till the war was over and then was sent to England where she met and married my father. My mother is the most courageous and strongest woman that I know. This painting represents an easy moment in her life as a young mother in her newly adopted country.
Helmut Becker was born in 1931 in the Alberta Badlands and grew up in rural Saskatchewan, where he was strongly influenced by artist and teacher Wynona Mulcaster. Her approach to art as a heartfelt method of communication resonated with the young Becker.
Becker studied Art and Art History at the University of Saskatchewan and Printmaking and Drawing at the University of Wisconsin. Throughout his career, Becker has taught Printmaking, Papermaking, Hand Papermaking and Fibre Flax & Hemp Research at Nova Scotia College of Art, the University of Calgary and the University of Western Ontario.
Also in the collection are landscape images from all over Ontario depicting colourful rocks and calm water scenes. She is a member in the Gallery Painting Group and is excited to participate once again for the 3rd year in the London Artist Studio Tour while exhibiting in the Westland Gallery to start the year off. Check out her fresh chic card designs online @marilynlazenbydesigns and in Curiosities, Framing & Art, Rivertown Gallery and Art & Soul Cafe.
Marilyn attended Fanshawe College for Fine Art and the Advertising Art Program in Design, Business Communication and Marketing. She is an instructor with the the London Arts Council's LAIR/ AECE program, and was a Professor at Fanshawe from September 1998 - 2016.
The figures and portraits are depicted in a classical representational style using old master techniques to allow the viewer to be present with and share an intimacy with the model as they are. The backgrounds are textured abstractions to create a visual and emotional juxtaposition in contrast to the figure. Text and graphic elements are interwoven from music, literature and personal notes representing both the artist and model’s experience.
Brent Schreiber is an Artist located in Elmira, ON Canada. His work focuses on realism based figurative / portrait paintings combining illustrative and narrative themes. Brent is best known for his Listen series. It is an ongoing collection featuring the portrait and figure exploring contemporary themes of god, spirituality, and the human bond. Brent specializes in commissioned portraits and other subject matter as well as Commercial Illustration. Brent's illustration work includes promotional material, book covers, interiors and advertising in the science fiction, fantasy, pin-up and romance/adult genres. Brent is an Art Renewal Center International Salon Finalist and his work is held in both Private and Public Collections in the United States, Europe, Australia and Canada.